Poetry
3Elements Review (Forthcoming): "Poem after Campbell McGrath's 'Night Travelers'"
Western Humanities Review (Forthcoming): "On the porch swing, I open my notebook and think of a question to write down"
Mountains Piled upon Mountains: Appalachian Nature Writing in the Anthropocene (August 2019): Two Poems
Saint Katherine Review (August 2019): "Early, before you recognize the trail,"
Peatsmoke (April 2019): Two Poems
Zone 3 (April 2019): "Skipping Steps"
Cumberland River Review (October 2018): "Cardinals"
Oxidant Engine (September 2018): Three Poems
Bright Bones: Contemporary Montana Writing (June 2018): Two Poems
Appalachian Heritage (Winter 2017/18): "The Tennessee River"
Still: The Journal (October 2017): "Three Poems"
Whale Road Review (Sept. 2017): "Hand-Stitched"
Psaltery & Lyre (August 2017): "muein"
The Cresset (June 2017): "Selah"
Heartwood Literary Magazine (April 2017): "Our First Southern Winter"
Public Pool (Jan. 2017): "Speaking Failure" and "Mirror Casket [two caskets side by side three]"
Still: The Journal (October 2016): "Pantoum: The Sycamore Tree"
Stirring: A Literary Collection (October 2016): "Hold Out as Long as You Can" and "The Tennessee River"
Red Paint Hill (July 2016): "Bitterroots, Montana"
the museum of americana (June 2016): "Vertebrae"
Valparaiso Poetry Review (Spring/Summer 2015): "Three Months after the Fire"
Camas: The Nature of the West (Summer 2014): "Evening by the Blackfoot in Late July"
Western Humanities Review (Forthcoming): "On the porch swing, I open my notebook and think of a question to write down"
Mountains Piled upon Mountains: Appalachian Nature Writing in the Anthropocene (August 2019): Two Poems
Saint Katherine Review (August 2019): "Early, before you recognize the trail,"
Peatsmoke (April 2019): Two Poems
Zone 3 (April 2019): "Skipping Steps"
Cumberland River Review (October 2018): "Cardinals"
Oxidant Engine (September 2018): Three Poems
Bright Bones: Contemporary Montana Writing (June 2018): Two Poems
Appalachian Heritage (Winter 2017/18): "The Tennessee River"
Still: The Journal (October 2017): "Three Poems"
Whale Road Review (Sept. 2017): "Hand-Stitched"
Psaltery & Lyre (August 2017): "muein"
The Cresset (June 2017): "Selah"
Heartwood Literary Magazine (April 2017): "Our First Southern Winter"
Public Pool (Jan. 2017): "Speaking Failure" and "Mirror Casket [two caskets side by side three]"
Still: The Journal (October 2016): "Pantoum: The Sycamore Tree"
Stirring: A Literary Collection (October 2016): "Hold Out as Long as You Can" and "The Tennessee River"
Red Paint Hill (July 2016): "Bitterroots, Montana"
the museum of americana (June 2016): "Vertebrae"
Valparaiso Poetry Review (Spring/Summer 2015): "Three Months after the Fire"
Camas: The Nature of the West (Summer 2014): "Evening by the Blackfoot in Late July"
Prose
Whale Road Review (Forthcoming): "The Golden Shovel: An Introduction to Formal Poetry"
Grist: A Journal of the Literary Arts 12 (August 2019): "In the Middle of a Wound, a Space in Words: An Interview with Joy Harjo"
Whale Road Review (June 2019): "Dear Grandfather,"
Still: The Journal (October 2018): "Higgins Lake"
Grist: A Journal of the Literary Arts (May 2018): "serving the art we need and love": An Interview with Christian Anton Gerard
Writers in the Library (February 2017): An Interview with Leanne Howe
The Rumpus (July 2015): "Last Book I Loved: Home by Toni Morrison"
The Rumpus (June 2015): "Last Poems I Loved: John Berryman's Dream Songs #265 and #279"
The Rumpus (April 2015): "Last Book I Loved: The Delicacy and Strength of Lace by James Wright and Leslie Marmon Silko"
The Cresset (December 2013): "'I learned by going where I have to go': Expectations and Meditations on the Way of St. James"
Grist: A Journal of the Literary Arts 12 (August 2019): "In the Middle of a Wound, a Space in Words: An Interview with Joy Harjo"
Whale Road Review (June 2019): "Dear Grandfather,"
Still: The Journal (October 2018): "Higgins Lake"
Grist: A Journal of the Literary Arts (May 2018): "serving the art we need and love": An Interview with Christian Anton Gerard
Writers in the Library (February 2017): An Interview with Leanne Howe
The Rumpus (July 2015): "Last Book I Loved: Home by Toni Morrison"
The Rumpus (June 2015): "Last Poems I Loved: John Berryman's Dream Songs #265 and #279"
The Rumpus (April 2015): "Last Book I Loved: The Delicacy and Strength of Lace by James Wright and Leslie Marmon Silko"
The Cresset (December 2013): "'I learned by going where I have to go': Expectations and Meditations on the Way of St. James"
Reviews
Grist: A Journal of the Literary Arts (August 2019): "Editor Recommends: Collections by Miller, Mountain, and Umansky"
Grist: A Journal of the Literary Arts (February 2018): "Editor Recommends: An Everyday Practice of Starting Over in Stephanie McCarley Dugger's Either Way, You're Done."
Stirring: A Literary Collection (October 2017): Review of Lindsay Tigue's System of Ghosts.
Grist: A Journal of the Literary Arts (September 2016): "In the Room Made of Broken Mockingbirds: Review of Ocean Vuong's Night Sky with Exit Wounds"
Grist: A Journal of the Literary Arts (February 2016): "To Take Note of Where We Are": Review of Adam Clay's Stranger
Rattle (June 2015): MicroReview of Saeed Jones' Prelude to Bruise
Cutbank Online (August 2014): Review of Brian Teare's Sight Map
Cutbank Online (January 2014): Review of Matt Rasmussen's Black Aperture
Grist: A Journal of the Literary Arts (February 2018): "Editor Recommends: An Everyday Practice of Starting Over in Stephanie McCarley Dugger's Either Way, You're Done."
Stirring: A Literary Collection (October 2017): Review of Lindsay Tigue's System of Ghosts.
Grist: A Journal of the Literary Arts (September 2016): "In the Room Made of Broken Mockingbirds: Review of Ocean Vuong's Night Sky with Exit Wounds"
Grist: A Journal of the Literary Arts (February 2016): "To Take Note of Where We Are": Review of Adam Clay's Stranger
Rattle (June 2015): MicroReview of Saeed Jones' Prelude to Bruise
Cutbank Online (August 2014): Review of Brian Teare's Sight Map
Cutbank Online (January 2014): Review of Matt Rasmussen's Black Aperture